How to sing Sunday Morning

Analyze your vocal range against Adam Levine's smooth pop-soul classic. Get real-time feedback on phrasing, tone, and falsetto transitions.

Album cover for Sunday Morning by Maroon 5

Sunday Morning

Maroon 5 • 2002

COMMUNITY AVG SCORE

72/100

Most users struggle with the rhythm.

Song DNA

Before you record, know the groove. This track from Songs About Jane requires laid-back jazz phrasing and seamless register switching.

Medium
Difficulty
G3 - C5 Vocal Range
Tenor Best Voice Type
C Major Key Signature
4:04 Duration
Falsetto Mix Register

Top Performances this Week

Can you beat these scores? Download the app to get ranked.

1
97% Score
2
95% Score
3
91% Score
View full leaderboard in app →

The Ultimate Jazz-Pop Vocal Workout

"Sunday Morning" is a masterclass in laid-back, soulful pop vocals. Released on Maroon 5's debut album Songs About Jane, this track combines a catchy piano loop with Adam Levine's distinctive high-tenor voice. Unlike powerful rock ballads, this song demands finesse, agility, and a relaxed laryngeal position.

To sing this well, you need to master the "pocket"—singing slightly behind the beat to create that lazy Sunday feel—while maintaining precise pitch during the melodic jumps. Let's break down the vocal technique required.

AI Coach Tip: Watch Your Diction

Adam Levine often blends words together ("Sunday morning rain is falling" becomes "Sunday-morning-rain-is-fallin"). Don't over-articulate. Keep the vowels open and connect the words smoothly (legato) to match the jazzy style.

Phase 1: The Verses (Low & Cool)

The song starts in a comfortable mid-range for Tenors, sitting around C3-G3. The challenge here isn't the notes, but the tone. Avoid singing too heavily in your chest voice.

The Technique: Use a mix of chest resonance and breath. Think of speaking intimately to someone across a small table. If you push too hard here, you won't have the dynamic contrast needed for the chorus.

Phase 2: The Pre-Chorus Climb

On the line "That may be all I need," the melody begins to climb. You need to start thinning out your chest voice. If you drag full chest weight up to the A4, you will sound like you are shouting rather than singing soulfully.

  • Darkness: "In darkness she is all I see" requires a solid mid-range belt.
  • Transition: Prepare your throat for the switch. Keep the jaw loose.

Phase 3: The Chorus & Falsetto

The chorus features the line "Come and rest your bones with me," which often flips into a light, airy mix or pure falsetto depending on the version. The highest notes (touching C5) are almost exclusively sung in falsetto.

To nail the "Levine Sound," utilize a bright, nasal resonance (forward placement) but keep the volume controlled. This allows you to cut through the mix without straining your vocal cords.

Frequently Asked Questions

What is the highest note in Sunday Morning?

The highest note is a C5 in falsetto. In full chest voice/mix, the melody touches A4 and G4 frequently.

Can a Baritone sing this song?

Yes, but the chorus will be a falsetto workout. Since the song is in C Major, it sits relatively high. Singing Coach AI allows you to transpose it down -2 semitones to Bb Major for a warmer baritone fit.

How do I get that "whiney" pop tone?

That signature sound comes from "twang." Try narrowing your pharynx slightly (like imitating a duck quack) while singing. It adds brightness and clarity without needing extra volume.

Don't just sing in the shower.

Get actionable feedback on Sunday Morning and 1000+ other songs instantly.

Download on App Store