The Essence of the Hollywood Crooner
"Should I?" is a standout number famously performed by Gene Kelly in Singin' in the Rain. While it isn't a powerhouse ballad, it requires immense control over tone, diction, and acting. The song is a conversation with oneself about love, requiring a blend of vulnerability and confident showmanship.
To sing this well, you need to abandon modern pop breathiness and embrace a clear, forward-placed resonance known as the "mask." Let's break down the vocal strategy for each section.
AI Coach Tip: Smile While Singing
To achieve Gene Kelly's bright tone, try singing with a slight smile (lifted cheekbones). Our analysis shows this naturally raises the soft palate and improves pitch accuracy in the upper-mid range.
Phase 1: The Conversational Verse
The song opens with a series of questions. The melody here sits low in the range. Do not try to "sing" this too formally. Think of it as heightened speech.
The Trap: Many singers drag the tempo here. Keep it snappy. Focus on the rhythm of the lyrics ("Should I reveal... exactly how I feel"). The AI Coach looks for precise rhythmic onset in this section.
Phase 2: The Legato Chorus
As the emotion builds, the singing style changes. You must switch from conversational to legato (smooth and connected). The vowels should be elongated, and the consonants crisp but quick.
- Mid-Atlantic Accent: Gene Kelly uses a trans-Atlantic accent. Use pure vowels (e.g., "Love" sounds more like "Lahv" than "Luv").
- Breath Control: The phrases are long. Breathe deeply from the diaphragm before lines like "Maybe I should wait..." so you don't clip the end of the phrase.
Phase 3: The Big Finish
The song culminates in a sustained F4. For a Baritone, this is a "money note" that sits right in the upper chest register. To hit this comfortably, keep your jaw loose and avoid tilting your chin up.
Add a gentle vibrato at the very end of the sustained notes to give it that classic 1950s polish. If you keep the note completely straight, it may sound too modern or robotic.
Frequently Asked Questions
The melody tops out at an F4. It is a very accessible range for most male singers (Baritones and Tenors), avoiding the high strain of rock or opera.
Yes. Because the range is moderate, beginners can focus on style, acting, and rhythm without worrying about hitting extreme high notes.
Focus on "bright" resonance. Direct the sound towards your hard palate (behind your top teeth) and prioritize clear diction over volume.