Channeling the White Witch
"Rhiannon" is more than just a soft rock hit; it is a masterclass in vocal character. Written by Stevie Nicks and released on Fleetwood Mac's self-titled 1975 album, the song demands a balance of soft, storytelling verses and powerful, belted choruses.
To sing this well, you need to navigate the lower chest register with warmth while maintaining enough energy to project the choruses without straining. Stevie Nicks is famous for her unique, rapid vibrato and raspy texture. Let's break down exactly how to tackle it.
AI Coach Tip: Watch the Vibrato
Stevie Nicks uses a very fast "flutter" vibrato. Many users try to force this by shaking their jaw, which causes tension. Relax the larynx and let the vibrato come naturally at the end of phrases like "sky" or "dark".
Phase 1: The Verses (Storytelling)
The song stays largely in A minor. The verses ("Rhiannon rings like a bell...") sit in a comfortable range for most singers, but the danger is sounding bored. You need to use a breathy onset to mimic the "mystical" quality, but keep the core of the tone solid so the pitch doesn't sag flat.
The Trap: Dropping the energy at the end of lines. Ensure you sustain the breath support through "soft darkness" to keep the intonation sharp.
Phase 2: The Chorus (Power)
The dynamics shift here. "All your life you've never seen..." requires a switch to a more forward, confident placement. You aren't shouting, but you are "calling out."
- Vowel Shape: Modify your vowels to be slightly more open. "Life" should feel tall in the mouth to access head resonance while keeping chest power.
- Rhythm: The phrasing is slightly syncopated. Don't rush. Sit on the back of the beat to capture that laid-back 70s rock feel.
Phase 3: The Outro (The Build)
In live versions, this is where Stevie goes wild. The "Taken by the sky" section builds in intensity. This requires excellent stamina. You are belting sustained notes repeatedly. Ensure you are anchoring your breath low in the body and not lifting your shoulders, or you will fatigue before the final fade-out.
Frequently Asked Questions
In the studio recording, the highest full-voice note is around a C5, with harmonies reaching up to F5. In live performances, Stevie often improvises higher notes in the outro.
Stevie Nicks has a natural huskiness. To imitate this safely, do not squeeze your throat. Focus on breathy tone first. If you feel tickling or coughing, stop immediately—that is vocal damage waiting to happen.
Yes, but the verses may feel quite low. Sopranos often shine in the chorus and harmonies. Singing Coach AI allows you to transpose the track up +2 semitones if the verses are too muddy for your voice.
