The Ultimate Diva Duel
"No More Tears (Enough Is Enough)" is a legendary collaboration that pitted pop majesty against disco royalty. Released in 1979, this track requires you to master two completely different singing styles: the theatrical ballad and the high-energy disco anthem. It combines Barbra Streisand's immaculate control with Donna Summer's soulful, rhythmic power.
Singing this song isn't just about hitting notes; it is about stamina. You need to reserve energy during the "wet" (slow) intro to survive the "dry" (fast/disco) section without losing your tonal quality.
AI Coach Tip: The "Infinite" Note
The sustained note on "Enough is enouuuuuuuugh" is where scores drop. Singers often release too much air early. Engage your diaphragm and keep the airflow consistent and thin to hold the note for the full duration.
Phase 1: The Ballad Intro (0:00 - 1:45)
The song opens in a somber mood. Whether you are singing Barbra's part or Donna's, the focus here is on legato phrasing. The words "It's raining, it's pouring" should be connected smoothly.
The Trap: Do not rush. This section is rubato (free time) in the original recording, but if you are singing to a karaoke track, you must listen intently for the piano cues. Keep the volume mezzo-piano.
Phase 2: The Disco Explosion (1:45 onwards)
The tempo shifts dramatically. You must immediately switch from a relaxed throat to a more percussive, rhythmic articulation. The consonants need to be sharper to cut through the heavy disco beat.
- Rhythm: Lock into the 4/4 kick drum. Being slightly behind the beat (layback) works for the ballad, but here it will lower your timing score.
- The Mix: As the song progresses, the melody sits consistently in the *passaggio* (bridge) area. You need a strong mixed voice to avoid shouting.
Phase 3: The Power Belts
The climax of the song features call-and-response belting that reaches up to D5. This requires "twang" and forward placement. If you try to pull your chest voice up this high without mixing, you risk vocal strain.
Imagine the sound resonating in your "mask" (nose and cheekbones) rather than your throat. This allows you to achieve the piercing volume required for the finale without blowing out your vocal cords.
Frequently Asked Questions
Yes, but it is a marathon. You will be covering both call-and-response sections, leaving very little room to breathe. Plan your breaths carefully during the instrumental breaks.
The transition from the slow ballad to the fast disco beat. Many singers struggle to adjust their breathing rhythm from long, slow breaths to quick, snatch breaths.
You need a solid G3 for the low notes and a powerful belt up to C5 or D5. It is best suited for Mezzo-Sopranos or Tenors with a good mix.
