How to sing I’ve Got a Feelin’ You’re Foolin’

Master the charm and phrasing of Gene Kelly's classic. Get real-time feedback on your pitch, swing feel, and tone.

Album cover for I’ve Got a Feelin’ You’re Foolin’

I’ve Got a Feelin’...

Gene Kelly • 1952

COMMUNITY AVG SCORE

74/100

Most users struggle with the rhythm.

Song DNA

Before you record, understand the style. This track relies heavily on charisma, a relaxed swing feel, and a bright, forward vocal placement.

Medium
Difficulty
C3 - F4 Vocal Range
Baritone Best Voice Type
F Major Key Signature
2:45 Duration
Chest Register

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Golden Age Hollywood Charm

"I’ve Got a Feelin’ You’re Foolin’" is a staple of the Golden Age of Hollywood. Written by Nacio Herb Brown and Arthur Freed, and famously performed by Gene Kelly in *Singin' in the Rain* (1952), it requires a different skillset than modern pop. It isn't about power or belting; it is about wit, diction, and personality.

To sing this well, you need to channel a "conversational" singing style. The goal is to sound like you are smiling, casually talking to a partner while maintaining a consistent legato line. Let's break down the technique.

AI Coach Tip: The "Smile" Technique

Our analysis shows that users who physically smile while singing this track score higher on tone brightness. Lifting the cheeks slightly raises the soft palate, creating that classic bright resonance associated with Gene Kelly.

Phase 1: The Verse (Conversational Tone)

The song usually sits in F Major. The opening lines need to be crisp. Gene Kelly was a dancer first, and his singing reflects that rhythmic precision. Don't drag the beat.

The Trap: Many singers use too much air or "breathiness" trying to sound romantic. Instead, keep the vocal cords connected with a clean, clear onset. Think of it as speaking on pitch rather than singing heavily.

Phase 2: The Bridge (The Swing Factor)

The rhythm naturally swings here. You should be accenting the 2 and the 4 beats. If you sing this straight (like a marching band), it will sound stiff and robotic.

  • Articulation: Over-enunciate your consonants (T's, D's, and P's). This helps the voice cut through the orchestration.
  • Phrasing: Avoid breaking the musical line for breath too often. Plan your breaths at the punctuation marks of the lyrics.

Phase 3: The Ending (Smooth Legato)

As the song winds down, the dynamics drop to a softer level. The final notes should not be shouted. A gentle vibrato is appropriate here on the sustained notes, but keep it straight for the shorter notes preceding it.

Gene Kelly's range here is very comfortable for a Baritone (approx C3 to F4), meaning you don't need to push for high notes. Focus entirely on the "sizzle" of the performance.

Frequently Asked Questions

What is the highest note in this song?

In the standard Gene Kelly key, the melody typically tops out around an E4 or F4. It is a very safe range for most male voices.

How do I sound more like a "Crooner"?

Keep your larynx neutral (don't reach up for notes) and focus on a smooth, connected airflow. The Singing Coach AI app can track your "Legato" score to help you smooth out jumpy phrasing.

Can I transpose this song?

Yes. If the low notes are too quiet for you, use the Singing Coach AI app to transpose the backing track up +2 semitones for a brighter Tenor feel.

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