A Soulful Introduction to Oz
"He's the Wizard" is the high-energy introduction to the titular character in the legendary musical The Wiz. Composed by Charlie Smalls, this track transforms the classic L. Frank Baum story into a soul, R&B, and funk explosion. It is sung by the character Miss One (or Addaperle) to Dorothy, convincing her that the Wizard is the only one who can help her get home.
Unlike traditional musical theatre standards that rely on pure head voice or legit soprano technique, this song demands "Gospel chops." You need rhythm, attitude, and a solid chest belt to sell the song.
AI Coach Tip: Watch the Syncopation
The biggest mistake users make is singing too "straight." The groove of this song relies on singing slightly behind the beat (in the pocket). Don't rush the lyrics; let the funk bassline lead you.
Phase 1: Setting the Scene (0:00 - 1:10)
The song starts with a narrative drive. You are selling an idea to Dorothy. The key here is diction combined with character. When you sing "Sweet thing, let me tell you about the world," keep it conversational but resonant.
The Trap: Dropping the energy too low. Even though it's the beginning, the character needs to be larger than life. Use a "bright" tone placement (smiling while singing) to keep the sound forward and engaging.
Phase 2: The Groove and Build (1:10 - 2:00)
As the choir/backing vocals join in, the energy ramps up. The repetition of "He's the Wizard" requires you to vary your dynamics. Don't sing every line at the same volume. Use crescendos on the sustained notes to build excitement.
- Rhythmic Precision: The phrasing often lands on the "and" of the beat. Use the Singing Coach AI visualizer to ensure you aren't anticipating the beat.
- Vowel Modification: On words like "Wizard," open the "ih" vowel slightly towards "eh" to prevent your throat from closing up on higher notes.
Phase 3: The Gospel Climax (2:00 - End)
This is where the ad-libs come in. The song modulates or drives harder towards the end, requiring full chest belt or a strong mix up to C5/D5. The final "He's the Wizard!" is a proclamation.
To survive the end of the song without hoarseness, engage your core support heavily. Think of the sound originating from your belly, not your throat. Allow for some vocal "growl" or texture if it fits your style, but ensure it's controlled.
Frequently Asked Questions
The song typically belts up to a D5. However, depending on the specific Broadway cast recording or movie version, ad-libs can go higher.
Yes, this song sits firmly in the belt/mix register. A breathy or classical head voice will not carry the energy required for the genre.
Focus on sliding into notes (portamento) and using pentatonic runs. Listen to gospel singers to understand how they use resonance and vibrato.
