Mastering the "Manic" Sound
"Graveyard" is a standout track from Halsey's 2020 album Manic. It’s a masterclass in modern pop dynamics, detailing the desperate lengths one goes to in a toxic relationship. While it doesn't have the operatic range of Queen, it presents a different challenge: vulnerability and tone.
To sing this well, you need to navigate the low, intimate verses without sounding muddy, and then transition into a desperate, driving chorus without straining your throat. Let's break down the technique.
AI Coach Tip: Watch Your Airflow
Halsey uses a lot of "air" in her voice, especially in the verses. However, simply whispering will cause you to run out of breath too fast. Practice a "supported breathy tone"—keep your diaphragm engaged even when singing quietly.
Phase 1: The Verses (0:00 - 0:38)
The song begins in the lower register, sitting around G3. The lyrics "It's crazy when / The thing you love the most is the detriment" are delivered almost conversationally.
The Trap: Many singers lose pitch accuracy in the low range because they relax too much. Keep your vocal cords active. Enunciate the consonants clearly but softly to mimic the "indie cursive" style without slurring the words together.
Phase 2: The Pre-Chorus Build (0:39 - 0:54)
As the line "They say I may be making a mistake" enters, you need to start closing your vocal cords more fully. Transition from the breathy tone of the verse to a cleaner, more resonant sound.
- Volume: Increase slightly, but rely more on intensity than sheer loudness.
- Placement: Move the resonance from your mouth/throat forward to the "mask" of your face.
Phase 3: The Chorus (0:55 - 1:24)
This is the emotional peak: "I would've followed you all the way..." The melody jumps up, requiring a strong chest mix. You are hitting notes around B4 here with power.
To achieve this sound, imagine you are calling out to someone across the street. Do not yell; instead, use consistent air pressure. The emotion comes from the "cry" in the voice, a technique where you slightly lower the larynx to create a mournful quality while maintaining the pop edge.
Frequently Asked Questions
The highest belted note in the chorus is around a B4, but there are head voice/falsetto ad-libs that reach up to D5.
Yes. The range is accessible for most female voices (Altos and Mezzos) and many male Tenors. The challenge is stylistic rather than gymnastic.
Focus on "vowel breaking" (adding a slight yodel or break between notes) and softening your consonants. Singing Coach AI analyzes your spectral balance to help you match her tone.
