Mastering the "Speak-Singing" Style
"Classy Girls" by The Lumineers is a prime example of the acoustic folk revival style. Released on their self-titled debut album, the track was intentionally recorded to sound live and unpolished, capturing the ambience of a crowded room. Unlike pop ballads that require smooth legato, this song demands a rhythmic, conversational delivery known as "speak-singing."
To sing this well, you need to let go of operatic technique and focus on storytelling. The charm lies in the imperfections—the slight grit in the voice and the percussive enunciation of the lyrics.
AI Coach Tip: Watch Your Timing
Because the vocal delivery is so conversational, it is easy to rush ahead of the beat. Our analysis shows users often speed up during the verses. Stay relaxed and sit slightly back in the pocket of the rhythm.
Phase 1: The Verses (Conversational Tone)
The song stays largely in the key of C Major. The verses should be sung almost as if you are talking to someone next to you at a bar. Keep your volume at a mezzo-piano (medium soft) and focus on clear diction.
The Technique: Use a "chest talk" resonance. Place your voice in the center of your mouth rather than projecting it forward into the mask. This creates that intimate, folk sound Wesley Schultz is known for.
Phase 2: The Chorus (Energy & Grit)
The energy lifts for the chorus ("She was standing in a bar..."). Here, you want to introduce a bit of "twang" or vocal fry to give the voice texture. You aren't belting high notes, but you are projecting more volume.
- Rhythm: The phrasing is syncopated. Pay attention to how the lyrics land on the off-beats.
- Dynamics: Don't shout, but increase intensity. Imagine you are trying to be heard over a noisy crowd without screaming.
- Vowel Shapes: Keep vowels neutral and speech-like. Avoid rounding them too much (e.g., sing "bar" like you say it, not "bawr").
Phase 3: The Shout Vocals
Near the end, the song features group-style vocals that are shouted rather than sung melodically. This is common in the stomp-and-clap genre.
To do this safely, engage your diaphragm deeply. If you shout from your throat, you will lose your voice. Think of calling out to a friend across the street—support the sound from your stomach.
Frequently Asked Questions
The highest melody note is roughly an F4. It stays comfortably within the chest register for most Baritones and Tenors.
Yes. The limited range (C3-F4) makes it excellent for beginners. The challenge is in the rhythm and character, not the pitch height.
The rasp comes from efficient cord closure and relaxed vocal fry, not from pushing. If it hurts, stop immediately. Use the Singing Coach AI app to monitor tension levels.
