The Indie Pop Earworm
"Chartreuse" by Capital Cities is a masterclass in catchy, synth-pop vocals. Featured on their 2013 debut album In a Tidal Wave of Mystery, the song blends quirky lyrics with a driving beat. Unlike power ballads that require massive lung capacity, this song demands rhythmic accuracy, clean diction, and a cool, controlled delivery.
The challenge here isn't range—it's style. You need to maintain a steady groove, delivering the verses almost percussively while opening up for the melodic hooks. Let's break down how to capture that Capital Cities vibe.
AI Coach Tip: Watch Your Timing
Because the beat is so prominent, singing even slightly behind the beat will sound dragging. Practice with the metronome in the app to ensure your syllable onset lands exactly on the grid.
Phase 1: The Verses (Percussive Delivery)
The verses are sung in a range that is very close to speaking pitch for many male voices. The key here is articulation. You want the lyrics to be crisp and intelligible.
The Technique: Use "speech-level singing." Don't try to add too much vibrato or operatic resonance. Keep the sound forward in the mask of your face. Think of the vocals as another instrument in the rhythm section.
Phase 2: The Chorus (Vowel Shapes)
When the hook hits—"Chartreuse"—you are sustaining a note on a tricky vowel sound. The "eu" in Chartreuse is a diphthong that can close off your throat if you aren't careful.
- The "Chartreuse" Note: Keep your jaw relaxed. Don't spread your lips wide; instead, think of a vertical oval shape.
- Tone Color: Aim for a bright tone that cuts through the synth layers. If your tone is too dark, it will get buried in the mix.
Phase 3: The Bridge and Energy
As the song progresses, the energy builds. You need to increase your breath support to maintain intensity without shouting. The repeated lines require consistent volume.
Engage your diaphragm to keep the air pressure steady. This allows you to punch the accents in the melody without straining your vocal cords.
Frequently Asked Questions
The melody generally tops out around G4, making it very accessible for Baritones and Tenors alike. It relies more on groove than high belts.
Yes, this is an excellent song for lower voices. The verses sit in a comfortable tessitura. If the chorus feels high, you can transpose down -1 or -2 semitones in the app.
Sing it as "Shar-TROOZ". Emphasize the second syllable and hold the "oo" vowel, letting the "z" sound come at the very end of the phrase.
