How to sing All I Ask of You

Analyze your vocal range against Patrick Wilson and Emmy Rossum's performance. Get real-time feedback on pitch, legato, and duet blending.

Cover art for All I Ask of You

All I Ask of You

Patrick Wilson & Emmy Rossum • 2004

COMMUNITY AVG SCORE

74/100

Most users struggle with the legato phrasing.

Song DNA

Before you record, know the numbers. This track requires excellent breath control and the ability to maintain a consistent tone across long musical lines.

Medium
Difficulty
A2 - Bb5 Duet Range
Bari/Sop Best Voice Type
Db Major Key Signature
4:53 Duration
Head/Mix Register

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The Ultimate Romantic Duet

"All I Ask of You" is the pivotal romantic moment in Andrew Lloyd Webber's The Phantom of the Opera. In the 2004 film adaptation, Patrick Wilson (Raoul) and Emmy Rossum (Christine) bring a cinematic intimacy to the track. Unlike the bombastic title track, this song requires control, subtlety, and emotional vulnerability.

Whether you are singing the part of Raoul, Christine, or attempting a solo arrangement, the key to success lies in legato—smooth, connected singing where the breath never stops flowing.

AI Coach Tip: Watch Your Diction

Because this is a ballad, over-enunciating consonants can break the mood. Soften your 'T's and 'D's. Connect the end of one word to the start of the next (e.g., "darkness-and" rather than "darkness. and").

Phase 1: Raoul's Reassurance (0:00 - 1:25)

Patrick Wilson's performance is characterized by a warm, forward baritone placement. The song begins in Db Major. The line "No more talk of darkness" sits low in the range.

The Technique: Do not press down on your larynx to sound "manly." Keep the sound buzzing around your lips (mask resonance). If you push too hard here, you will run out of air before the end of the phrase "here I am, your hideaway."

Phase 2: Christine's Plea (1:25 - 2:30)

When Christine enters, the key modulates. Emmy Rossum uses a very clean, classical approach with minimal breathiness. The challenge here is the interval jumps in "Say you'll share with me one love, one lifetime."

  • Head Voice: Unlike pop singing, you should not belt these notes. Use a reinforced head voice.
  • Vibrato: Use a steady, natural vibrato at the end of long notes to keep the pitch centered.

Phase 3: The Unison & Harmony (2:30 - End)

The climax of the song sees both voices singing together. The melody "Anywhere you go, let me go too" requires careful volume management. If you are singing a duet, listen to your partner. If you are using the Singing Coach AI backing track, ensure your volume matches the pre-recorded guide.

The final note (the high Ab for Raoul and high note for Christine) must be floated, not shouted. Think of the sound spinning away from you.

Frequently Asked Questions

What vocal range is required for Raoul?

Raoul is typically sung by a high Baritone or a "Baritenor." In this version, the range extends comfortably up to G#4, requiring a solid upper chest mix.

Can I sing this solo?

Yes. The Singing Coach AI app allows you to mute either Raoul or Christine's vocal track so you can sing your preferred part, or you can choose a solo arrangement.

How do I stop running out of breath?

The phrases in Lloyd Webber songs are long. Practice "sip breathing"—taking quick, silent breaths through the mouth at punctuation marks, rather than large gasps.

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